Carrie Hardin is making a podcast.
Carrie (she/her) lives and works in Chicago, and is available for production work as well as private coaching.
Coaching for more info.
Selected Voice Credits
First Folio Theater
Henry V (RP, Welsh, French, Estuary, Cockney, Brummie)
CityLit Theater
Radio drama: The Prince and The Pauper (Edward and Tom; rp, estuary)
London Assurance (RP, Yorkshire)
Lifeline Theatre
Whose Body? (RP, Cockney, Estuary, West Country, Russian, Vintage Midwestern American)
Sylvester, or the Wicked Uncle (RP, Irish, French)
Pegasus Theatre
Eclipsed (Liberian Koloqua)
Eclipsed, at Theatre on the Lake (Liberian Koloqua)
Babes with Blades
The Lady Demands Satisfaction (RP, Cockney, German)
The Good Fight (RP, Cockney, Glaswegian, Geordie, Vintage Canadian Dainty)
Henry V (RP, Welsh, Estuary, French)
Promethean Theatre Ensemble
Blue Stockings (RP, Cockney)
Idle Muse Theatre
Equivocation (RP, Estuary, Cockney, Glaswegian)
In The Next Room, or The Vibrator Play (RP, Vintage General American)
Aston Rep
Lonesome West (Irish)
Prologue Theatre
Saturday Night/Sunday Morning (Vintage AAVE, Tennessee, East Texas)
Welcome to America (Arkansas, Puerto Rican)
First Floor Theater
I’m Gonna Pray for You So Hard (Vintage & Modern NYC)
Redtwist Theatre
A View from the Bridge (Brooklynese, Italian)
ETA Creative Arts Foundation
Stand Up! (Alabama, AAVE)
Loyola University Chicago
Our Town (Vintage Yankee)
Violet (North Carolina)
Getting Out (Kentucky)
What People Are Saying
“Dialect coach Carrie Hardin deserves special note for Liberian accents that further set the scene and create the bonds between the women.”
— Kerstin Broockmann, Chicago Stage Standard
“And a shout out to Carrie Hardin for instilling a multitude of English accents so spot-on among all the actors, some of whom have to shift dialect gears on the instant as they change characters.”
— Dan Zeff, Chicagoland Theater Review
“Under the direction of Dorothy Milne and the dialect instruction of Carrie Hardin, a cast of exuberant newcomers and stalwart regulars keep the action sprinting apace at brisk and merry velocity and the repartee likewise nimble.”
— Mary Shen Barnidge, Windy City Media
“Dialect coach Carrie Hardin deserve kudos for high-quality British and French accents.”
— Lauren Whalen, Chicago Theater Beat
“In a disturbing, raw, and surprisingly sympathetic performance from Carrie Hardin, Riggs is anything but one-dimensional.
— Marissa Oberlander, The Chicago Reader
“All three of these fine actresses maintain impeccable accents throughout (Carrie Hardin is the Dialect Coach).”
— Jeffrey Leibham, Around the Town Chicago
“Essential expertise for this play is provided in …the dialect coaching by Carrie Hardin.”
— Nancy Bishop, Third Coast Review